School Spotlight: Landscape for Learning – Buffalo School 90 Courtyard Transformed

November 29th, 2010 by Barbara

The Buffalo Public School 90's new courtyard and outdoor classroom area. Photo courtesy of KC Kratt Photography

Buffalo Public School 90 is a shining example of how the outdoors can be used to make a lasting impression in children’s lives. The school’s courtyard used to be an underwhelming space with straggly trees and a flagpole. Numerous windows looked out on it, but providing daylight was their only function. Now, it’s an entirely different story.

The seeds were planted, so to speak, by teacher Barbara Shaughnessy and Buffalo Advocates for Schoolyard Enhancement (BASE). The initial thought was to use the courtyard space for something like a butterfly garden, but evolved into an outdoor learning environment. As part of a $6 million reconstruction project, the schoolyard would have interconnected learning areas to complement and supplement all the areas of the school’s curriculum. When the project budget tightened, the team worked hard to keep the fundamental design, requiring “a lot of creativity and thinking outside the box.

Photo courtesy of KC Kratt Photography

Because School 90 is located in an inner-city environment, it was important to the faculty that the students be able to experience a true variety of landscapes and outdoor activities they might not otherwise be regularly exposed to. The courtyard provides a clean and safe environment where “children can explore, roll around and run without the fear of injury.”

With ever increasing curriculum mandates, children are losing valuable time in the natural world. The objective for this courtyard was to meet established curriculum requirements for students in pre-K through second grade in an outdoor environment, while encouraging them to love nature.

Water, varying topography, naturalized and constructed gardens, open areas, and gathering spaces are dispersed throughout the courtyard. These different elements of nature work among various curriculum areas, including science, math, music, art, language arts, physical education and geography/geology. Every outdoor space is connected by the accessible “circuit walk” that weaves between class spaces and provides accessible opportunities for learning.

Each of the “classroom” spaces has elements unique to its function that help students develop a connection to the outside world. Read on below for more information about each of these spaces.

Photo courtesy of KC Kratt Photography

Physical Education

  • The entire courtyard has elements for play, mobility, dexterity, and eye-hand coordination
  • The overall circuit path can be fit with markers to allow students to track the distance they have walked during gym class
  • The logs provide natural balance beams
  • Mounds are wonderful for running up and rolling down
  • Boulders are placed close enough for students to step from one to the other
  • The concrete areas are great for jumping rope and riding tricycles

Music Classroom

  • Plants here make sound in the wind, attract “singing” insects and birds, and can be used to make instruments
  • A small concrete area allows students to set up chairs and music stands to play outside

Math Classroom

  • Paving of various materials and sizes shows ratios and proportions
  • Raised planters provide area for growing vegetables, leading to counting seeds and measuring growth of plants

Science Classroom

  • Large earth mounds aid in teaching about gravity, velocity, and measurements
  • Shade garden features native ferns, sedges, and rushes
  • The water channel widens and students are encouraged to get into the water

Geography/Geology Classroom

Photo courtesy of KC Kratt Photography

  • Boulders as part of the “council ring” are provided for small group gatherings, climbing, and jumping
  • Tree stumps provide for exploration
  • Local plants with various survival elements and ethno-botanical uses
  • Sunflowers are planted by kindergarteners and then harvested when students are in first grade

Art Classroom

  • Brightly colored perennials inspire young artists
  • All plants in courtyard are non-toxic so leaves, petals and berries can be used to make paint and ink
  • Small concrete area has interesting score patterns
  • Nearby “Dr. Seuss garden” has oversized, interesting smelling or unusual looking plants

Language Arts

  • Opportunities are included for increased language awareness
  • Boulder “council ring”, central gathering space, and log seating provide locations for story telling and group discussions
  • Chalk board allows students to “post their findings” for fellow classmates to read and provide responses
  • Central gathering space becomes a “stage” for drama activities with seating on the surrounding lawn
  • Each new fall class is encouraged to make and post signs for the courtyard, allowing every student to be active in the “naming” process

Our work resulted in a beautiful natural teaching environment which

provides connections to the New York State standards, and fosters the development of the next generation of environmental stewards.

Students can grow their own fruits and vegetables in raised planter beds to understand where their food comes from, learn how local native plants were used by Native Americans. According to one teacher, they can even “simply be inspired by a bright yellow daylily.”

The courtyard has been designated a Certified Wildlife Habitat by the National Wildlife Federation, and is currently an Eco-Schools-USA Grant recipient.

Barbara Shaughnessy is a kindergarten special education teacher and the Science Liaison for First Hand Learning at Buffalo N.Y. Public School 90.

Why Teach About Native Peoples of the Chesapeake?

November 23rd, 2010 by Lindsay

Pocahontas statue in Jamestowne, Va. Photo source: Tony the Misfit, Flickr

With Thanksgiving looming on the horizon, it’s time to reflect on the history of our nation and, specifically, our historically significant region. As you’re carving that turkey on Thursday, take the time to think about the native peoples of the Chesapeake region and how they helped form the land we know and love today, and encourage your students to do the same with their families.

Native Americans were the earliest inhabitants of the Chesapeake Bay and helped to shape the region we now reside in. There is not a significant written history of the Chesapeake’s native peoples, but artifacts left behind can teach us a lot about the land, water and way of life back then.

A big principle in Native American life was living in balance with nature and the environment. The people knew how to keep the area pristine and sustainable, while also living off of the land. The issues associated with massive development as we know it today were unheard of at that time.

Written accounts of Chesapeake natives begin around 1607, when Captain John Smith began his exploration of the Bay, mapping and journaling his experiences along the way. Unfortunately, with the arrival of European settlers and colonists, many of the native peoples of the Chesapeake were faced with disease as well as violence. The once-thriving population of Native Americans in the Chesapeake region rapidly decreased.

Of the different native peoples, the region’s most predominant were the Powhatan, Nanticoke and Piscataway nations. The communities were organized under chiefdoms, a sophisticated and multi-layered system of government. They practiced diplomacy and developed political and military alliances. They were deeply spiritual and expressed their religious values and beliefs in cyclical ceremonies and rituals that kept their world in balance.

They saw this taken advantage of when the Europeans began settling in the area, and those that have survived have seen the landscape change drastically since their ancestors first inhabited the area all those years ago.

Through the study of Native American artifacts in the Chesapeake Bay watershed, you and your students can begin a meaningful discussion of the ways the land has changed: how we use it, how we live off of it and how we respect it. Issues such as development, pollution, wildlife, sustainability, public access to waterways, and shoreline conservation are all likely to lead to some thoughtful discussions with older students.

Efforts to protect the Bay can also be applied to the Native peoples of the Chesapeake, because many of the measures being taken to conserve and protect land along the shores from development will help maintain the integrity of any artifacts that may be found in those areas.

In order to fully understand the Chesapeake Bay’s struggles in the present and the future, it is important to understand its history, a huge part of which was formed by the Native peoples of the region. Use some of these great resources to get the conversation started with your students and help the history of our native people live on.

Additional Resources:

Virginia Council on Indians Resources
Native American Resources
– Bay Backpack
We Have a Story to Tell: Native Peoples of the Chesapeake Region (Curriculum Guide)
– Smithsonian National Museum of the American Indian
America in 1607: Jamestowne and the Powhatan
– National Geographic interactive website
Pocahontas: Ambassador to the New World
– A&E

Lindsay Eney is the Communications Staffer at the Chesapeake Bay Program.

Visual Interpretation: Photographing the Modern Seashore

November 15th, 2010 by Bruce

This October I was pleased to meet Kristin Foringer of the Chesapeake Research Consortium, one of the creative

managers of this website. She attended my roundtable discussion at the 39th

Annual Conference of the North American Association of Environmental Education. We gathered around the idea of how we can describe human-ecological relationships through photography. I realized we both share a great affinity for coastal environments. While the images I featured at NAAEE drew from my work in Amazonian Ecuador, everyone there was interested in capturing the “essence” of their favorite places and getting their students involved in creating those photo essays. The idea for this blog entry was forming.

A focus of my editorial photographyhas been making images that harness some type of human story. We interpretive types are constantly seeking out visuals to illustrate concepts, stimulate reflection and make connections. Whether we speak about the field of biomimicry (where the physical and behavioral adaptations of plant and wildlife inform engineers and product designers), the historical relationships of man and nature or how we use art to escape our technocentric lives, photography is a medium we go to.

While stationed as an interpretive park ranger at Point Reyes National Seashore near San Francisco, California, I was fortunate to produce and lead interpretive programs for visitors from around the world. The historic Point Reyes Lighthouse was built in 1870 and stands on the windiest place in North America, and the second foggiest. There’s a great history of shipwrecks and stories of survival here.

The Point Reyes lighthouse keepers log of 1888 shows man had difficulty adapting here.

Bruce Farnsworth Photography

But this blog entry is not a story about lighthouses per se. Yet, much like the lead character in a wilderness story, lighthouses are given living attributes. Metaphors like “sentinel” and “guardian” come to mind. Point Reyes and Chesapeake Bay share a common history. According to the Chesapeake Bay Gateways and Watertrails Network, some 30 lighthouses, lights and beacons remain of the original 74 that once lined Chesapeake Bay.

Good photography is largely a matter of patience, intense observation and reduction.

Before I make any photograph, I ask myself  “What attracts me to this scene?” The most effective images are often the simplest, but that ability to visually summarize a scene may be the product of a long relationship, an intimate understanding of place. Photographers know that meaningful photographs are often the celebration of a long journey.

I had pre-visualized this image of the lighthouse. The essence of Point Reyes would include the unification of rock, fog and lighthouse beacon in equal roles. From this perspective, the wind-sculpted sandstone conglomerate jutted directly onto the lighthouse. The jagged contour evokes the same rock on which many ship ran aground. During a demonstration lighting one day, the steel-plate lighthouse and its lens of 3,000 crystal elements were reduced to a shaft of light poking through the fog. Surrounded by open space, the lighthouse is small against the forces of nature and the fog appears to swirl about the lighthouse. That sense of motion, and a glimmer of hope perhaps, is provided by the patch of blue sea above.

Sometimes a single image takes on more meaning when contrasted with another. I think the diminutive Snowy Plover (Charadrius alexandrinus), a federally endangered shorebird that scurries along beaches not far from the lighthouse, provides a wonderful counterpoint. Here it is shown in an image I contributed to the Pt. Reyes National Seashore Association. In Maryland, the federally endangered Piping Plover (Charadrius melodus) is found on Assateague Island.

If you enjoy photographing in the Chesapeake Bay, consider incorporating perspective and elements of geology and weather in your photographs. I was surprised to find few images of the famous Thomas Point Shoals lighthouse that really captured the totality of the environment. Drawing from a sense of history and the composition strategies of photography, landscapes can be made to touch on our emotional ties to place. These are among the exercises I expand upon in my summer tours for educators in Amazonian Ecuador with Raw Rainforest Photography & Educational Tours where teachers and biologists create singular images and photo-essays that become powerful tools within their own curricula.

Protect the Chesapeake Bay region!

Bruce Farnsworth Photography - www.brucefarnsworth.com Raw Rainforest Photography Tours - www.rawrainforest.com

Calling All Students: Help Save Our Streams

November 8th, 2010 by Leah

Students in the Save Our Streams program participate in monitoring of macroinvertebrates.

There’s nothing like seeing a kid’s eyes light up as they make the connection between their daily activities and the quality of their local waters – all while splashing in a stream and looking at the creepy, crawly critters found there. Equally as rewarding is seeing a child who doesn’t thrive in a traditional classroom become a leader in the outdoor classroom.

The Izaak Walton League’s Save Our Streams program trains students and adults to monitor water quality and restore their local streams. Save Our Streams volunteers test water quality by identifying macroinvertebrates living in the water. Stream-bottom macroinvertebrates — including aquatic insects (such as dragonfly and damselfly larvae) and crustaceans (such as crayfish, snails, and clams) — are good indicators of water quality because they live in the same area of a stream most of their lives and differ in their sensitivity to pollution.

Which macroinvertebrates you find, or don’t find, in a stream indicates the pollution level of the water. Biological monitoring is a quick, inexpensive and accurate way to find out if water quality is good or poor, and it gives volunteers a baseline for tracking changes in stream health.

State and local government agencies often use volunteer-collected data to identify pollution problems and track long-term trends in water quality. Local Izaak Walton League chapters and watershed associations use the information to identify and prioritize sites for restoration and to track restoration success. The data can also be used to influence local planning decisions to protect sensitive waterways, and better yet, students see that what they are doing in school matters in the real world.

Getting students and adults engaged in stream monitoring is also a great first step toward building a love of the outdoors and a conservation ethic. They understand that their actions can improve water quality, and they become more willing to change daily behaviors – such as practicing water-friendly lawn care – to do so.

How Can You Bring Water Quality Monitoring to Your Students?

Students use a seine net during an SOS outing.

The best way to start a Save Our Streams program with your students is to connect with a local Izaak Walton League chapter, watershed association, or government agency volunteer monitoring program. To find a program near you, e-mail the Izaak Walton League at sos@iwla.org or visit EPA’s Surf Your Watershed Web page.

You can also start your own water monitoring program – we’ll show you how. For information about training sessions, monitoring equipment, manuals, and other resources, visit the League’s Save Our Streams Web page.

Water Quality and Stream Ecology Resources

There are many great lesson plans and educational resources that can help you prepare students for a day on the stream. Here are a few to get you started:

  • The Izaak Walton League’s Project Watershed brings experienced program leaders together with middle school and high school students to engage classes in biological, chemical, and physical stream monitoring. Visit the program’s Web site for a wealth of lesson plans and other resources.
  • The Izaak Walton League’s Save Our Streams project idea page includes information about stream monitoring, organizing a watershed cleanup, and projects such as making rain barrels and rain gardens. For links to other educational resources, visit our Educational Programs page.
  • The Bureau of Land Management’s Holding onto the GREEN Zone Guide provides hands-on classroom activities for middle school students on stream ecology, the role of streamside buffers, water quality, and conservation careers. Indoor and outdoor activities are included.
Leah Miller is the Clean Water Program Director at the Izaak Walton League of America, Inc. in Gaithersburg, Md.

Chesapeake Bay Trust Awards: Recognizing Outstanding Bay Stewards

November 1st, 2010 by Molly

Every day, each of us encounters exceptional people working to make their communities and the world a better place.  Sometimes the person is a friend running a 5K to raise money to fight cancer; other times she is a colleague volunteering at a local homeless shelter.

Here in the environmental community, there are dedicated people out there every day planting trees and bay grasses, teaching our children about the ecology and history of the Bay, educating citizens about the importance of rain gardens and recycling programs – all of them working to help restore the Chesapeake to its former glory.  To help honor these creative and exceptional individuals, the Chesapeake Bay Trust created its annual awards program.

Each year, the Chesapeake Bay Trust awards more than $20,000 in grants, scholarships and monetary gifts to educators, students, and individuals committed to improving the health of the Chesapeake Bay watershed.

Through our awards program, we recognize individuals who stand out for their dedication to environmental education, community outreach, and on-the-ground restoration projects and programs.  Recipients are judged based on criteria specific to each award category.  Collectively, however, all recipients have one trait in common: a passion for the Chesapeake Bay and protecting its future.

Last week, the Trust began accepting applications for three of its award programs: the Honorable Arthur Dorman scholarship, the Teacher of the Year Award and our brand new Student of the Year Award.  Recipients for each will be announced during the Trust’s Legislative Reception in January.

We want to celebrate the good work being done here in Maryland and hope that you will help identify candidates who should be recognized for their contributions.

Do you know a student or teacher making a difference in their local communities and the environment? Then PLEASE encourage them to apply.

More details can be found at www.cbtrust.org.

Help us showcase all the good work being done to restore and protect the Chesapeake Bay.

Additional Resources:
Funding opportunities – Bay Backpack

Molly Alton Mullins is the director of communications and development for the Chesapeake Bay Trust. She can be reached at 410-974-2941, ext. 107 or at mmullins@cbtrust.org.